Archived posting to the Leica Users Group, 1998/02/10
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]At 01:57 AM 11/2/98 +0100, you wrote: >25 years ago when I was only a callow youth, the instructer at the >photography evening classes I was attending took me aside and offered me >part time work with a wedding photographer of his aqaintance. Of course I >was flattered and jumped at the chance (being paid to indulge my new hobby? >!!!). Of course, my first time out (with the professional) I shot with my >Minolta SLR (50 1.4). The next week, we compared shots and I was shocked; >even at only 10 X 8 the difference in quality compared to his 6X6 was a >quantum leap. So I had to buy a 6X6 TLR and for the next two years, almost >every Sat, I would be given *3* rolls of 120 Vericolour II and if I hadn't >come back with 30+ sellable exposures every time, that would have been my >last wedding! > >With only 36 exposures to work with, bracketing was only a theoretical >concept! Every shoot was done according to the same standard formula. >(although once, I inadvertently double exposed a bridesmade over the >portrait of the bride. When I saw it, I was mortified, but in fact the >costomer loved it, and we sold more reprints of that than any other!) > >On the one hand, it taught me discipline early; to get the exposure and >focussing right, quickly, every time. On the other hand, in terms of film >use, I still, even now, tend to use my M6 in the same deliberate way, and I >lose spontaneity as a result. I sometimes think that being so constrained >in my photographically formative years has stifled my artistic development. >At least it's always a good excuse when you get a roll with no keepers on >it! :) > >Neil Frankish > > That may be the reason behind Ansel Adam's great skill. He carried his immense LF camera and made only a very small number of exposures. If he blew it, he would have to carry everything and did it all over again. Now that's what I call good reason for getting it right the first time. It's like comparing a sniper and a man behind a machine gun. The 35mm AF motor-driven camera is like a machine gun. Dan K.