Archived posting to the Leica Users Group, 1998/02/01
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]Harrison wrote; <<<<just won't cut it when the editor asks why you don't have a slightly darker image. Also, judging exposure is purely subjective, what I like may be too dark for you and may be to light for someone else. It is all in how we perceive the world and what our experiences are that color our judgments.>>>>>> Harrison, I like to use the example of an assignment shot in Japan many years ago by Paul Fusco for LOOK magazine as an example of bracketing and shooting. In the short period of time Paul worked he exposed sufficient film that the semi-final cut came down to some 9000 plus images, of which only 8 were published to illustrate the story. And if you take that back into the early 70's that was a pile of film! But the 8 images were just something else! Breath taking! Now we are going to have some folks here, who have never done a documentary or a major photo essay say, "well anybody can get 8 great pictures out of 9000 frames!" WRONG! Even if you are using Leica M or R! I believe one of the great lessons of film exposure and meters, even in the R8, which by the way I have found to be absolutely astounding. As well as the M6 meter which I use religiously. That is, to spin the ring a few times and lay the frames out on a light table and see how slide film reacts to a wide degree of exposure. Certainly what happens to create some awesome images that many do not think possible. There are those who follow their Leica MR meter, the M6 or R whatever model right to the tee and have never used those readings in any other fashion than the "perfect exposure", instead of merely a start point guide. When I shoot transparency film I always bracket, if the situation allows that luxury. It doesn't always, but I try always! Even with the R8 where I have come to trust the meter explicitly for a correct exposure, I bracket simply because one never knows what a slide is going to look like until it's on the light table. Yep some of the LUGGERS are going to come back and say, "Sure I know what my images will look like, as I preconceive them and plan the shot perfectly." :) And yes, the moon is made of green pepper cheese! :) I believe this thread started from the fact that HCB shot 3 rolls of film on Portugal for a magazine. Well I guess that is possible for a few photographers, HCB being the Master. But I have a hard time believing that the ultimate image of a country can be derived in 3 rolls. Unless those three rolls are shot over a period of 6 months or longer! Of course if one were to compare Canada to Portugal I'd have a hard time trying to do Canada in 3 rolls! But then HCB came here and left with nothing to count in his most renowned images. Even with his Leica! But then that's the image of us easy going Canadians eh? :) With transparency film, braketing is as essential as putting film in the camera and anybody who says otherwise, "Well OK!" :) ted