Archived posting to the Leica Users Group, 1998/01/01
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]Dear LUGpeople, On monday, my wife, my daughter, and I drove over to the Monterey Peninsula (Carmel, Monterey, and Pacific Grove) for the day. I took my newly acquired M2 and 35mm Summicron (3rd version), and my Linhof Master Technika. We wandered around Carmel, visiting shops, eating, eating some more, etc. Other than to just get away for the day, they were having a sale at my wife's favorite yarn shop (in Carmel). I loaded some T400CN B&W film in my M2, set my incident meter to ISO 200, and basically just clicked at interesting things. Around 2pm, we headed to Point Lobos. My wife and daughter set out on a hike and I gathered-up my Linhof stuff and headed to the rocky shoreline (near Weston Beach... Edward Weston beach). Something about being inspired by a master... Anyway, I wanted to test two new Christmas presents. A Bromwell wax filled ground glass screen, and a new Nikkor 500mm T*ED lens. The weather was perfect. But I've never, in the 50+ years that I've been to Pt. Lobos, seen so many people. This cramped my style as after setting up for each photograph, I had to wait eons for the people to clear out. I managed to take four different scenes over four hours. Nothing spectacular. This was mostly a test. I have to tell you (any LF people out there), that the Bromwell ground glass is a godsend! Bright, clear, smooth, grainless, everything a ground glass screen should be. No Fresnel circles to inhibit focusing. Nothing. Just a wonderfully plain clear screen. I was worried about the fact that the Nikkor 500 T*ED is an f/11 (wide open) lens, worried that the ground glass, without a Fresnel lens, would be too dim. The worry was wasted. At f/11, the 500mm was bright and clear. Even for these 60 year old eyes. Other than the mobs of people, I was very very happy. At sunset, we headed back to Carmel. The traffic was the worst I have ever seen it. Highway 1, from Pt. Lobos to Carmel (maybe four miles... probably less), forty minutes! Insane! We got to our dinner reservations on time (barely). If any of you visit Carmel, the place to eat is the "Flying Fish" restaurant. Bottom level of the Plaza, corner of Junipero and Ocean. We have been eating there for years and it just keeps getting better. The light is very low, a small spot light directed onto the table where reflection off of the white tablecloth illuminates everything else. I pulled out my M2, opened up to f/2, set the shutter to 1/15 and took some pictures of my daughter. My incident meter registered somewhere around 1/4 to 1/15, depending upon where it was. I figured that the T400CN film had enough latitude to make 1/15 fairly safe. Our waiter (Milo) saw me with the M2, and started to tell me about his father's M3 and M5. What masterpieces of engineering they are. I agreed. On Tuesday I dropped off my 4x5 film at Calypso, and headed to the one-hour lab near my house. I opened my M2 and discovered that I somehow loaded E200 Ektachrome instead of the T400CN B&W. What a surprise. My friend at the lab laughingly said, "I don't think you'll like the results if I do it in C41 soup" and I agreed. Two hours later my 4x5 film was ready for me to pick-up. So I dropped-off the E200 while picking up the sheet film. The 4x5 stuff looked OK. The Nikkor lens worked like it was supposed to (was there any doubt?). I went back two hours later and picked up the E200. I was afraid to look at it as I was sort of winging-it, thinking I was shooting wide latitude ISO 400 B&W film. Well... what a pleasant surprise. All but one scene (in the yarn shop) were right on. And the 35mm f/2 Summicron-M lens gave a glow to the slides that is absolutely wonderful. I love this lens at f/2 - f/4 . At f/5.6 - f/16 it's like any other 35mm lens. Sharp everywhere. I also like the fact that I can handhold the M2 at slow shutter speeds, slower than I would ever dream of handholding my R7's. Fun day. Jim