Archived posting to the Leica Users Group, 1997/11/25
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]Paul wrote: << Which of us has not come back years later and discovered jems in our old slides, which we didn't pay attention to because it didn't fit with the project we were working on at the time?>>> Paul, I guess if I have a major concern about digital it is the archival aspect. When you move into the twilight zone of your career and age, you begin to realize how important "archives and information" become. We as young folks (photographers) don't think about being in our 60's-70's, "hey that's along way down the road, who cares!" But when you reach that point and start printing negatives that are 30 or 40 years old, that's when you realize the importance of the "archival aspect of your life's work!" Digital today is for speed of meeting deadlines and beating the competition. It has absolutely nothing to do with longevity! Generally we as human beings think of today and the moment number one. We retain a bit of yesterday only if there is an effect to influence today. But rarely do we relate to the future and what influence we will have on that future. We as photographers are the eye of our past and if we all run out and go digitally mad, we wont have much of a photographic future history. Let me tell you, there isn't anything more beautiful than a great big B&W print coming up in the soup! I'm completely in awe of what digital cameras, computers, Photoshop and all that wizardry can do. But the darkroom is the dessert in a fine meal of picture taking! And to loose that, is loosing the best part of the meal! Where would we be today if HCB and other greats of our Leica forefathers were using digital? We, if we were lucky, might have a few images of some indiscernible content unless each and every image were constantly "up-graded" to keep them a viable great images. I'm not a digital techno wizard by any means, but there seems to be at the moment a "permanent image" problem purely from a storage situation, if nothing else. As I understand from an associate in a wire service that the "storage space alone" could cost many hundreds of thousands of dollars a year just to store images. In our profit driven world of today, who in their right mind is going to spend $250,000 or more just to keep a bunch of electronic images "just in case?" Sure as hell isn't going to be all us Leica photographers! I believe the electronic world of digital cameras is getting there at great speed, however I believe there are many more race courses to be run before they come anywhere near "real film" cameras and archival aspects. ted