Archived posting to the Leica Users Group, 1997/11/02
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]At 09:51 AM 11/2/97 +0100, you wrote: >Marc wrote: >>Neither Mozart ....ever had one pfennig of government support. > >This is simply not true Marc. A simple look at Mozart's life (and almost >every artist until that time) could show you exactly the contrary. >Wolfgang Amadeus Mozart, like his father Leopold, worked at the court of >the Prince-Archibishop Hieronymus von Colloredo between 1772 and 1781:he >was the Konzertmeister (150 guilden/year from the government) in charge >to compose sacred operas and pieces (and he succeeded). His father was >vice-Kapellmeister at the same court, paied by the same government. >The same happened in Wien, after 1781. He was an employee of the >austrian government and received a salary until his death. He also >fighted with Antonio Salieri to be the Kammercompositeur of the Court. >Of course, while in Wien, he had other sources, including private >lessons to several "scholaren" and private commissions (the Requiem is >among these). >Until Beethoven no one artist (including Michelangelo, Giotto, Dante) >could survive without government's funds. This is absolutely not to say >today Goverments have to support art, just to point out history. >The problem is that, at that time, the state's organization and power's >conception was so different that it's hard to make a comparison without >being aware of the general history's frame. >Anyway, beginning with the greek culture, art has always been considered >the "soul" of the people and the highest expression of the human >civilization, expressing something more than merely an emotion. >At least until early the present century. > >Ernesto > I always wanted to know this stuff about Mozart. Did he play a Leica piano? Since Ansel Adams was a concert pianist, maybe he also played a Leica piano. And perhaps an 8x10 Ansco piano for the really big concerts. Black piano, White tux, need N-2 (that's the middle pedal). But if the volume was too high, a good Pyro formula will hold it all together. I hear Steinway makes a great camera. But Yamaha is getting good press. When you take a picture with a Steinway, it goes "schnappens" and when you take a picture with a Yamaha, it goes "crick". Good night. Maybe tomorrow will be another day. Jim