Archived posting to the Leica Users Group, 1997/10/27
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]Roger: Absolutely. There's just no substitute for square inches. I spent most of the summer shooting landscapes with a Mamiya 6. I only used the M4p around my neck when I was set up and needed to make a quick shot. I wouldn't have gotten some of those shots without the Leica, but I made many 120 transparencies that you can walk right into. Tom MAt 07:29 PM 10/27/97 -0700, you wrote: >On 27 Oct 97, ted grant wrote: > ><snip> > >> I some times wonder what is taught in the "designer schools" when art >> directors graduate with the idea that , "big is better." >> >> The bottom line still comes down to the photographer and the quality >> of his or her work and handling of the equipment. > >Geez, I hate like hell to do this cause it'll likely start a format >flame war, but I just can't resist stating the obvious. > >If the shoot doesn't favor one format vs. another, such as street >action, expansive scenics where set up time is assumed and the wait for >the right light is inevitable, etc. the simple fact is that bigger *is* >better! > >Take the photographer, as a variable, out of the equation. Put the same >photographer behind the formats for the shoot, assume equal skill of >that photographer with the various formats, the best optics available >for the various formats, equal films etc., and, the results will favor >the larger formats every time! > >Oh my God, I invoked an absolute. Shields up...Go for it! >-- >Roger Beamon > Naturalist & Photographer > Leica Historical Society Of America > mailto:beamon@primenet.com > > Mathematics, rightly viewed, possesses not only > truth, but supreme beauty--a beauty cold and austere, > like that of sculpture, without appeal to any part of > our weaker nature, without the gorgeous trappings of > painting or music, yet sublimely pure, and capable of > a stern perfection such as only the greatest art can show. > > -- Bertrand Russell > > >