Archived posting to the Leica Users Group, 1997/09/26
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]At 11:05 PM 9/25/97 -0700, I wrote: > >Proven moon exposures: > >Full moon, clear night, sea level, =sunny 16. Same at altitude, no lights >reflecting in the local atmosphere, basically no local atmosphere =sunny >22. Quarter moon =+3 stops. Thin crescent =+5 stops. Ref: "Astrophotography >for the Amateur" by Michael Covington. > >Jim > I should add some explanation. The full moon is 100% bright, no dark part, except the man-in-the-moon's face :-) . Like a photographer with the sun at your back. No shadows. So depending where you are, sunny-16 to sunny-22. When you have half or quarter moon, it is side light. Bright light on one side, shadow on the other. To make it look like a moon, you need to open-up to register the gray transition area and, possibly the fact that the moon is a complete sphere. A crescent moon is back light. The sun is coming from behind, skimming the moon. To show that it is indeed a moon, the exposure is like a backlight (bright sun) portrait of a blond with the sun streaming through her hair. Use sunny-16 and you have a great picture of nothing but hair. No face. Same with the moon. So, if you want just the bright part of the moon, no transition area or you don't care that it is a sphere, use only sunny-16/22. To register the transition area, and the fact that it is a sphere against the blackness of space, open-up accordingly. Bracket and record what you did so you will know what you like... for next time. Jim ps... I'll stop now. I'm sure you are sick of moon stuff!