Archived posting to the Leica Users Group, 1997/09/17
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]Jim Brick wrote: > I really didn't like the AD's breathing down my > neck. They never seem to understand that what they have pictured in their > mind (or sometimes in a drawing) is quite often photographically > impossible. Back when I was in that business, sometimes the only way to get > the desired product was via air brush. Now it's Photoshop. But they did not > want to pay for air brushing. I suspect it hasn't changed. The added cost > of digital probably sends them into orbit. Jim, My pet peeve, and I have seen this increasing, is that clients and art directors no longer have the time or budget (they are just too busy or important) to stay on set during the entire shoot, but want the power to have you reshoot things that don't quite match what they were imagining (however vague). I've been trying to set things up to budget additionally if they want the right to come and go. Of course, they say "we'll be there," but then get bored or whatever, and disappear, usually just when I need a value judgement. I used to work for one agency whose owner didn't like to pay much. One of his junior art directors asked him why he wouldn't pay more. The owner's response was that he hadn't found a photographer that could shoot pictures that matched the owner's vision. And some people think advertising photographers are hired because we are "creative." But so much of the time, we are just slave technicians. Which is one reason I'm doing less and less of such work anymore (unless rent on studio is due or urge for new Leica equipment too strong). Donal Philby San Diego