Archived posting to the Leica Users Group, 1997/08/11
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]Having stated that lab equipment and methods are decisive matters in photography, and discovering that camera equipment is less critical than many of us may think, what is the fundamental quality of good photography? Photography isn't very interesting in itself. It is just a tool, which I think you can learn technically and practically in a couple of weeks. A good picture is a very complex matter, far beyond camera brands and technical options. I think SEEING is the important thing. This is the most critical factor in photography, distinguishing good photographers from bad. Most people cannot see. (!) I mean really see behind things, humans, and events. See symbols. It isn't enough to recognize the superficial reality. If you don't see what is behind, and try to understand how and why it is so, you won't be able to express an interesting point of view. It will be impossible to feel your intentions. If you don't have any intention, or if it is impossible to recognize your idea, the image is empty, dead, without interest. Thus if you are "blind", if you have lost your original curiosity and spontaneity, the freshness you had when you were a child, you will have to recover these abilities. Learning to see may take a long time. You will never finish really. When you realize that cameras, lenses, brands, and all the rest are quite relative, even those cameras which often are referred to as "wunderplastik", may become relevant. The condescending attitude to cameras less glorious than Leicas that we often see in these columns, is rather inappropriate. I can understand an "amateur" who cares about image quality, but I think it is meaningless using a M6 for family snaps, developing and printing in quick labs. Looking around you discover that the joy of picture making among all those "ignorants" using cheap plastic cameras may be far more spontaneous and rich than the techno approach of certain Leica amateurs, loosing their way in the madness of testing and doubt. Oddmund