Archived posting to the Leica Users Group, 1997/07/22
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]From: "Garbutt, Robert" <RGarbutt@ncrpexec.telstra.com.au> Date: Wed, 23 Jul 1997 09:56:00 +1000 I too had the pleasure of seeing some of his work recently - though in Sydney not San Diego - no music I'm afraid and no Salgado in person either. His work is amazing isn't it? On a purely technical level I was struck by his prints. Though not my favourites, a number of prints of workers closing oil wells in Kuwait after the gulf war virtually shimmered. Somehow there seemed to be a gleam of silver that 'painted' the prints with light and shade. Is this the Leica look, or is there a printing technique behind this? I think it comes from having your subjects freshly coated in crude oil. I'm not kidding about that; I often look at my copy of "Workers," so I know just the photographs you're talking about. What does amaze me is the tonal variation of his photographs and how much information they convey with such very coarse grain. Very beautiful stuff.