Archived posting to the Leica Users Group, 1997/06/25
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]Fred Ward wrote: "That of course is the dilemma. The main problem with Kodachrome is that it is not as attractive as the other films available today. No contest. And the really good film remains at ASA 25, a bit slow by today's standards. So, I suffer with the problem on every assignment. I want the ASA 100 speed at least and I want the warm and wonderful colors (but not as warm as Ektachrome 100S, which almost ruined my most recent month in Upper Burma because of its excessive red tilt). The ideal would be the E-6 emulsions built to last 100-300 years. The kids out there who cannot think beyond Friday night may think that fading in 50 years is no problem. But I can tell you that almost ALL my early work in the 1950s and 1960s that was not shot for NGS on Kodachrome is severely damaged or totally worthless. The early E160, the Anscochromes, the original Ektachromes are almost all huge problems for me. And this is in one working lifetime, not over a century. Digital may turn out to be the answer, but it is not close yet." ----------------------------------------------- You mirror my exact thoughts! Speed is a tad slow. The saturation a tad low compared to the over saturated palettes of the fuji's & E100 line. The problem is sometimes you need a quick turnaround time for an assignment & E6 is the answer. On longevity, I've read countless stories on early color work & how the emulsions have faded & left no record. It's a shame people are not more aware or care about archival issues. Last year I attended a workshop at Rockport, Maine. A lecturing well established art photographer was asked after her talk about longevity of her color work. She said she did not care, she would shoot other pictures. I have trouble understanding people who think that way. Why do something at all if it has no lasting value? Anyway, no film is perfect. Fred...what E6 film do you normally use? Incidentally, Fred, I read in PDN that feature story on how you do your own color seps. I'm a graphic designer so I was doubly fascinated. I've got some questions for you! Regards to all Frederic