Archived posting to the Leica Users Group, 1997/06/15
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]I finally started to translate my lenstests in English. Here my condensed conclusions. ** Leica users are particularly fortunate as they are able to find and use the older lenses, designed and built for the LTM series of cameras and the contemporary M-bayonet. <BR> In a lengthy period of lenstesting I have compared a number of older lenses to the newer and the newest generations are could draw some remarkable conclusions.My testing is based on strictly controlled test lab and practical situations and the backup of an optical bench. >Some general conclusions: The most recent generation is visibly better at the two or three largest diaphrags.> more, sometimes substantially more contrast, giving more clearly reproduced shadow details visibly better rendition of the finest details in object textures sharper delineation of subject contours (acutance) better performance in closup distance (70cm to 1,5 meter) quality fall off from center to the corners has been diminished excellent finish and quality control (no decentering, smooth focusing ring, smooth and precise diaphragm click stops):better than in the past The second general conclusion From f/5,6 the differences between old and new lenses are small to very small, bu quality difference between corners and center is still visible aberrations not so well correcteed (astigmatism, chromatic lateral aberrations, spherical aberrations) 28mm The Summaron (11501) has acceptable quality, which comes as no surprise, since its largest aperture is f/5,6, only usable in fair light conditions. This is an uncoated version and its flare suppression is quite commendable The Elmarit (2,8) has been recomputed 4 times. Up to date performance is only guaranteed with the third (<A HREF="l11804.html">11804</A>) and fourth (actual: <A HREF="l11809.html">11809</A>) versions of the Elmarit-M. The latest one is at f/2,8 as good as the third generation at f/4,0. The Elmarit-M of the first (11801) generation is good atf/ 5,6. Still the contrast is lower than versions III en IV. Especially at f/ 2,8 enf/ 4,0 these versions are markedly superior to their predecessors. <35mm> The Summicron 2,0 (first generation: <11308) has a medium contrast till f/4,0, but is very good from f/ 5,6 . The current (version 3: <11311) is an absolte topclass performer. A must. The Summilux-M f/1,4 (11870) is as good as the Summicron (11308) but at full aperture its contrast is low and the lens is flare prone at full aperture, making it less usable in adverse lighting conditions. This lens is still buyable for the person who needs a compact lens and can live with its weak large aperture performance in terms of flare and refelctions. The Summilux-M ASPH (<A HREF="l11873.html">11873</A>) is relatively volumineus, but its performance, especially at full apertuer are stunning, By and large its performance is on a par with the latest Summicron-M It is the 35mm lens of choice for any person needing a high quality f/1,4 lens and for whom volume is no problem. 50mm 2,8 The Elmar 2,8 (11612)is a low contrast lens, with a fine rendition of small details in the center of the field. It is a lens whose repution is better than its actual performance. The new Elmar-M (11823) is optical and pricewise on the same level as the Summicron-M. Its advantages are compactness and a classical look. The definiton of details is slightly more coarse than the smoother rendition of the Summicron-M. This difference is explainable by the 4 versus 6 lens design. 50mm 2,0 The Summicron f/2,0 (1e gen: <11818) from 1953 has a very good rendition of very fine colour hues and gradation. The contrast at full aperture and also at f/2,8 is low, giving the shadows a flat and lackluster appearance. The overall contrast is low and pictures at these two apertures are a little flat. From f/4,0 the lens is very good, but never reaches the clarity and contrast of the newer generations. The second generation (11819) is much better, but just outclassed by the third generation(current: <11825). The third generation has been produced in several variations. Optically all these versions arethe same. The production from 1989 seems to benefit from a general upgrading of quality control and better mastering of production techniques. The lens has a high contrast image at full aperture and can resolve extremely fine details with good clarity and micro contrast. My own testing shows at least 80 linepairs/mm (at f/5,6) with Fuji Velvia. Optically one of the very best in the Leica lens line. 50mm 1,4: The Summilux f/1,4 (first gen:11114)is one of the best secondhand buys for the M series. It almost the equal of the current (2 gen: <11868>) Summilux and (from f/2,8) Summicron lenses. <BR> The Summilux-M is markedly better at full aperture and marginally better at the smaller apertures. You must do some critical testing to see these differences! <BR> The Summarit 1,5 (SOOIA-M) has a low to very low contrast at full aperture and is very prone to flare. The resolution is quite high, but the low contras tsuppresses the small details below the visual threshold of human vision. 90mm 1:2,8 The (Tele-)Elmarit's are a clear indication of Leica's queeste for the ultimate in optical performanc The long and slender Elmarit (11129) is followed by the Tele-Elmarit(11800), a full 2 cm shorter and fits in a normal everready case. Leitz has great difficulties to give this lens the same optical performance as its predecessor. The successor arrives in 1974, loses a lens element, has therefor more contrast, but is a little longer ans smaller again. Here Leitz has gone a little to far The lens is very compact and short, but the small distance ring proves to be a bit difficult for accurate and fast shooting (the diameter is a mere 47mm). The final form is found in 1990 with the Elmarit-M (11807). Optically the new Elmarit-M is closely related to the older Elmar-C for the Leica CL, made in 1973, only one year earlier than the Tele-Elmarit-M (11800). In 30 years Leica has produced 10 fundamentally different optical designs for the 90mm, of which seven for the M-series. The new Elmarit-M howver is the culmination of this soul searching for the ideal 90mm. 90mm 1:2,0 The Summicron (11123) has always had a good repution. The first Canadian vrsion (in LTM) was a heavyweight and not very ergonomically designed. In these days a lens could take every format dictated by the optical construction It is a tribute to the designer of the old version that a much lighter version with one lens element omitted(11136 with '-M' suffix) and therefore recomputed is not significantly better. At full aperture both versions produce a low to medium contrast image with a particularly weak micro contrast . Still the recording of fine details has a smooth and pleasing characteristic. The performance jumps quite remarkably at f/2,8 and smaller. The full aperture performance is not up the level of the Summicrons in 35mm and 50mm. Erwin Puts