Archived posting to the Leica Users Group, 1997/05/19
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]LUGsters, I've been quietly reading this thread since the first grumblings, and wanted to add a few thoughts of mine on the 35s I've owned and used. I've had a Summaron 2.8 in chrome M mount that was in retrospect one of the best lenses I've ever used. The mount was sturdy, the click stops were crisp and the images were (sigh) lovely. Sharp and smooth. Alas I was relieved of this gem against my wishes. The two examples of 2.0/35 Summicron-M lenses I have had were both wonderful. Tack sharp and very contrasty. One I sold with an M4-P for tuition (paid for my entire junior year), the other I traded for a late sixties Summilux (thank you BW). This is the 35 I use today. I read somewhere in this thread that the old S'lux, "at 1.4 is all but useless" or somesuch. This didn't sit well at the time, and after some thought I wondered why that was written. I love this lens wide open, and, for the very reason that some of you don't seem to like it. I like the way it behaves in real contrasy, low light scenes like street-lights-at night kinds of situations. From twenty feet or so I can take a point of light like a porch light, put it in the corner of the frame, focus on a subject (a face) only a few feet away, and create a blob of light so big, it takes up half the frame. Only now, the point of light has become this soft, zone VIIIish area that makes the face pop out at you. Beeeutiful! Another cool trick with the Lux wide open is to take a face, close up, put it to the side of the frame and the focus on something of interest in the distance. The face just melts into a smooth, non-literal form, leaving the background sharp as nails. I don't know how to calculate this, but the foreground DOF is much smaller than the background DOF at 1.4. With the 1.4/35 I can really blow the foreground to bokeh hell, as compared to the background. Anyone know why? Anyway, as to someone's comments about the S'lux v. the S'cron 35s at maximum aperture: I think what you're seeing as far as differing sharpness is DOF. Other than that, I have nothing to write. ,/8^j