Archived posting to the Leica Users Group, 1997/04/30
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]Oddmund wrote: >Photography is for sure communication for the masses, but if it doesn't >serve the masses, or change anything, it is devoid of meaning. (edit) This might be true, but who is to decide the qualifications for 'change'? In other words, it is fairly obvious that if a single image curbs the opinion of a group of people that a 'change' has occurred. But if an image sitting quietly on a wall makes someone stop, if only for a moment, and admire either an abstract concept or presentation of a familiar object in (perhaps) a surprising manner, then has not a 'change' occurred as well? >There are a lot of "nice" original prints and books around. The problem is >that you get tired of these nice, licked, well composed images. There are >no message in them. No deeper universal identity. There are only emptiness. >Such images just contribute to the general feeling of emptiness in the >Western world. The Sterility Syndrome. (edit) And I would say that this so-called 'sterility syndrome' is due more to the manner in which we are taught to see. I happen to work in a public art museum and have alot of experience with the general publics reaction to images. It is interesting to overhear people's comments on an image they deem as 'meaningless' and then I intervene and, in a polite and friendly manner, give them some insight into the meaning of the image or, perhaps, the intentions of the artist if I am familiar with them. It never fails to open a lively discussion over the work and they usually leave with a very positive outlook on the artwork. Unfortunately, ALL artwork is meaningless if the masses are not capable of (or interested in) understanding the messages within images. I believe this is the fault of the education system who typically views art as a filler between math class and recess. >There are pictures everywhere, and a lot of "pollution". We live in a >picture world with a lot of stereotype and senseless images. (edit) True, and this will always be the case. To expect all artists to not only share the same goal for 'universal communication' but to consistently produce 'meaningfull' work is not only ridiculous, but unrealistic. Jamie. Jamie Drouin Photography http://www.islandnet.com/~jdrouin 'the means...exceed the measure of the imaginable' Hans Kessler, 16 April, 1933