Archived posting to the Leica Users Group, 1997/04/20
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]Let me just start off by saying that I'm grateful to have the sort of "problems" mentioned below, and having recently read Material World, feel that life is pretty soft, furnitureless apartment notwithstanding :-) Do you fellow LUGers feel entirely comfy about having a rather large amount of money tied up in what is, after all, still a small-format camera, though a very good one? I love looking at what might be called "fine art" photographs, whether they be mine or someone else's. The ones I seem to respond to most strongly seem to be shot on medium or large formats, and tend not to be documentary-type shots, though there are a few exceptions. For the most part, grain, excessive contrast, deliberately soft focus and the overuse of graduated ND filters seems to weaken the experience in some ways, as the medium then takes precedence over the message. Put another way, the sub-$1K prices I'm seeing on used Contax G-1 outfits and the even lower price I just paid for a Fuji GA645 have been on my mind a lot lately! While I enjoy the hardware itself as a sort of art form, my enjoyment of it in this regard is very limited, and not one which I wish to place a large investment. I'm on my 4th Leica RF camera now, and this time around, had the brilliant notion of how great it would be if I could somehow put together a package for around $450, but missed this goal oh, by a factor of about 4! What happened to the nice, useable IIIc's? Had hoped to achieve these ends with some judicious buying and selling of systems (hanging onto just a choice bit here and there) but obviously, someone else is beating me to these things! And for those of you who ARE good at this sort of thing, does it take you weeks, or even months, to recover your investment, and do you need to really work your butt off in order to do it? Wondering, Jeff