Archived posting to the Leica Users Group, 1997/04/12
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]>Robert, > >With the idea that we all learn to be more sensitive to differing >sensibilities, I offer this: > >There is a popular conception that photogrphers who enjoy the comparitive >aspects of photographic equipment can't be talented. It was fairly obvious >that your sarcasm was aimed at that specific predjudice here. You were >playing to cruelty and were responded to in-kind. > >DG > > >>Ladies & Gentlemen of The LUG- >> >>I apologise to one and all for the unseemly tenor of a recent unfortunate >>exchange between Mr. Small and myself. In all fairness, however, I would >>point out that I was not the one calling names. In fact, my remark, which >>apparently detonated Mr. Small, was directed at a post of Erwin Putts' and >>had nothing to do with Mr. Small, who replied, inexplicably "WE do print" >>as if I had been referring directly to him. >> >>I am unaware of prior instances of such out-and-out name calling on the >>LUG. But I will say that in several very nearby recent posts Mr. Small took >>it upon himself to be quite acerbic with posters other than myself on >>subjects from deer to spam. Disagreement is the stuff and substance of >>meaningful communication, but I think that in his response to me Mr. Small >>is over the line. >> >>If Mr. Small has something he wishes to take up with me in such a >>personalized and insulting fashion, I suggest he email me privately and not >>waste the time and attention of this group. >> >>Robert Danny, I can't agree with you. The original post "B&W Printing Paqpers" was mine. I was talking about recent experiences with a comparatively new material in image-making situations. Mr. Puts's response was entirely quantitative, didn't even mention the new material within his own frame of reference, and did not agree with my subjective experience as a print-maker. Weston used Kodabromide. What would we have thought of the that material in '73 or '74? Am I the only photographer who has lamented the passing of beloved, high-quality materials? I don't think so. Mr. Puts's quantitative work stands or falls on its own merits. I have no quarrel with him, nor did I accuse him of being "talentless" as you infer. But if his data are correct there is apparently a difference in the quantitative evaluation of a paper and the look, feel, presence of a print on that material. Even though I don't own a reflective or transmission densitometer, I have no trouble making that statement after working with many different materials for the last thirty-some years. There's nothing mystical about it. I have seen the changes, and I think they are there to see. To say that there is no difference in papers over that period simply does not square with my personal experience. Sorry, but I think "playing to cruelty" is a bit of a reach. Robert