Archived posting to the Leica Users Group, 1997/03/29
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]>I'm getting back seriously into B/W again only to find that I am not >familiar with the current lineup of Films/Developers/Papers the way I >used to be. > >I would be very interested to hear of favorite combinations using >today's mediums--but also please include WHY it is a favorite. Trying >to evaluate "GREAT RESULTS" is pretty difficult unless it is compared to >something else. > >For instance, has anyone sorted out the old guard of TriX and HP5 vs >Tmax vs Delta? >What is superior under what circumstances? WHY? > >Thanks All, > Stephan, I suppose that all of us are always looking for the ultimate combination of film, developer and paper. The combination that I am using now is the result of testing many combinations and the need to simplify my requirements as I can't run down to the corner photo shop to pick up what I need. What I use now is TRI-X 35mm & 4x5, HC110 Dil. B, and Zone VI Brilliant VC. I started using the Brilliant VC when I set up my darkroom in Nepal. Before I always used Brilliant graded paper but I thought it would be easier to stock VC paper instead of all sizes and grades of graded paper. I use a Zone VI 5x7 enlarger with a VC head and am pleased with the results so far. The VC paper took me a while to get used to but I am finaly getting the system down and the prints are looking good. Like Robert, I am looking forward to trying the new Brilliant graded paper and hope to pick some up this summer when we are on home leave. Maybe I can talk the family in to donating the use of one of our suitcases to bring a lot back. Although what I use is determined to some extent of availability I have found that I am very happy with this combination and I now know the capabilities and potential of the materials. I know that when I place a certain value in the field that it will be represented accurately in the final print. I know my film speeds, development times, and the potential of the paper. All of this makes the artistic side of the process much easier and more repeatable. Robert, I would be interested in hearing from you once you try the new Brilliant paper!! Ian Stanley Kathmandu, Nepal