Archived posting to the Leica Users Group, 1996/11/24
[Author Prev] [Author Next] [Thread Prev] [Thread Next] [Author Index] [Topic Index] [Home] [Search]Mr Bearden: Well Said...... A.Stark On Sun, 24 Nov 1996, Alan Bearden wrote: > At 08:56 AM 6/24/96 +0200, you wrote: > >Leitz, a German company, continued producing cameras and lenses during the > >Nazi years. No doubt. (snipped) > > > >Leitz also gave Leica's to German Jews to help them financially in getting > >out of the country. Many personal relations of Leica managers, specially > >with friends in the USA and in the UK were cut off. This was an important > >issue as Haus Friedwart in Wetzlar, where Ernst Leitz II lived, was a place > >were not only business relations but also many artists of those days stayed. > >After the war, the denazification process at Leitz was rapid > > > >All in all, I don't think that the fact that the Neurenberg crowd > >photographed with Leica's meant that the Leitz Wetzlar people were close to > >these sicko's. > > > >Gerard Captijn, > >Geneva, Switzerland. > >__________________________________________________ > >INTERNET PROVIDER: GROUPE VTX > > CH-1009 PULLY > > > >MAIL TO: info@vtx.ch > > > --------- > > Yes, I am personally acquainted with the use of Leica cameras as a means for > German Jews to take something of value out of the country -- no money, gold, > diamonds, etc. were allowed. The very first Leica I used (IIIa) was one a > German > Jewish physicist gave my father in exchange for a year's lodging in 1935-36. > I used this camera and an assortment of screw mount lenses 'til I sold it for an > M3 in 1956. > > Both Leitz and Agfa management were very responsible in helping Jews escape the > Nazi menance in the 1930s; Agfa even assigned some of its Jewish people to their > operations in other countries (Agfa/Ansco, Agfa India, Agfa UK, etc.). > > I think associated Leica with Nazi horrors is akin to blaming Beethoven for > Hitler. > > Let's get back to Leicas and most importantly, improving our photography > through understanding our tools. > > Alan Bearden >